mercoledì 12 dicembre 2018

RISULTATI MLI ESAME SCRITTO INGLESE SESSIONE STRAORDINARIA 11 DICEMBRE



Students may see their paper on Tuesday,  18th December at  10,00 am ( Room 203 Marco Polo ).

C.di L.
Matric
RISULTATO
MLI
1655420
INSUFF
MLI
1180559.
INSUFF
MLI
1473275
INSUFF



ESAMI SCRITTI GENNAIO 2019



ESAMI SCRITTI DI LETTORATO INGLESE
SESSIONE INVERNALE Gennaio 2019

          III ANNO LCLT/ MLI  - Giovedì 24.01.2019  - Ore 15.00 – Aula 203 – Marco Polo

Gli studenti devono portare all’esame:
1. un documento di identità valido e con foto
2. il libretto giallo o LO STAMPATO da Infostud che attesta il superamento di tutti gli esami di inglese del secondo anno (NON E' CONSENTITO MOSTRARLO SUL CELLULARE).

PRENOTAZIONI :

 MLI: dal 07/01/2019 al 20/01/2019  alle 12,00 :  maria.hillan@uniroma1.it  precisando COGNOME, NOME  e numero di  matricola


martedì 11 dicembre 2018

III YEAR LT / MLI Sessione Straordinaria - 11th December , 2018

Please check the following sites for your results:

Results will  be published by  10.01.2019

1. Angelini-Delli Castelli with Prof. Peterson Moore on: http://petersonmoresapienza.blogspot.it/

2. DeRubis-Nafra, e Bonetti with Prof.Hillan on: http://hillansapienza.blogspot.it/

3. Ni-Zuppardi with Prof.Horrigan on: http://hollymarg.pbworks.com/

venerdì 7 dicembre 2018

Magistrale 1 - Students eligible for Mid- Module test


The students in the table below are eligible for the mid- module test. If your name in not in the table and you think  you are eligible, please contact me as soon  as possible.
The test will  be on Tuesday, 8th January, 12,00 -15,00  – Aula CLA 06 – ( monolingual  dictionaries allowed for Paper 2  ( essay )
I will be seeing students on  the dates below to  discuss/ correct assignments. Most of you have booked on one of these days. If you have not and need to  have your work  corrected, I suggest you come on one of the days. If there is time, I will  correct your work  although I cannot guarantee this.
Monday, 10th December – 9,00 -10,00
Tuesday, 18th December – 10,00 – 12,30
N.B. – I will  not be in  the office Tuesday, 11th December as there is a written  exam  session on that  day.


SURNAME /NAME

BAICCO LEONARDO
BARUFFA LUCA
BIANCHI MICHAEL
CAMPOLI PAOLO
CAPPELLI ANNA
CARPINELLI VERDIANA
CATALDO MATTEO
D’ARPINO FEDERICA
DI DOMENICANTONIO GIACOMO
DIPIERRO ANNA
ESLAMI AYLAR
FEDOTOV SERGEY
FERRITO FABIOLA
FIORI ALESSIA
FUSCO CASSANDRA
GALLI MARTINA
GARGANESE GAIA
GRILLINI FRANCESCA
HROMADKOVA VENDULA 
IANNETTI LUCA
KARAMIAN MARJIAN
KUZMINA ANASTASSSIYA
LA MONICA LAURA
LA ROSA ELISABETTA
LEONE ELISA
LI YANG
MAGURNO  CHRISTOPHER
MARGIOTTI FEDERICA
MENDRINO SARA
MERGE’ LUDIVICA
MISHEVSKA KRISTINA
MOGHIMYAZDI ADELEH
NAPOLEONI FLAVIA
NEJAT BEHNAZ
NOORI SUZANNE
OLIARO CARLOTTA
PICCIONE MICHELA
PROIETTI FRANCESCA
TESORO MARCO
VERONESI LUCA
ZAMPELLA LAURA

December, 2018 – MLI III - Students eligible for Mid- Module Test


December, 2018 –   MLI III  - Students eligible for Mid- Module Test
The students in the table below are eligible for the mid- module test. If your name in not in the table and you think  you are eligible, please contact me as soon  as possible.
The test will  be on Tuesday, 11th December, 13,00 -15,00  – Aula CLA 04

SURNAME
NAME
Amorelli
Luca
Ballacci
Davide
Barile
Maria Sofia
Cardamone
Vanessa
Celani
Camilla
Chillè
Riccardo
De Muner Sarmento
Gabriella
De Santis
Serena
Del Vecchio
Chiara
Della Spina
Anna
Di  Bello
Erika
Fabbrizzi
Giulia
Firullo
Sara
Frappi
Daniele
Furegon
Arianna
Galante
Anna
Giliberti
Giulia
Illerici
Sara
L’Abbate
Nicole
Massimiliani
Irene
Mauriello
Carolina
Mazzotta
Debora
Orsini
Eleonora
Panzironi
Yasmine
Patta
Giorgia
Principali
Silvia
Pro
Giulia
Proietti
Chiara
Quadraccia
Sofia
Romoli
Marco
Sacripanti
Martina
Samà
Giulia
Scandurra
Maria
Seminaroti
Elisa
Tepsi
Melissa
Valeri
Arianna
Yeremenenko
Viktoriia




giovedì 6 dicembre 2018

Magistrale 1 - material for Friday,7th December

Print off passage below for  Friday's lesson.


The air felt heavy, sweetish, as if the rooms were permanently inhabited by genteel  women, and the windows never opened. And Mrs Durrant gave the same impression, of exhausted but cherished womanhood. Instinctively,  Mrs  Marsh, who  had had a vigorous marriage, looked around for signs,  even  relics , of  a man, but (5) found none. Her eye met only a rack containing fashion magazines,  and library books,  which, from their covers, looked as if they  had been  written  by  women. Yet Mrs Durrant was still attractive and must once have been  a beauty .She had an intimate way of taking , was fulsome in her gratitude,  was, in fact,  pleasing,  even intriguing. She had a soft voice, beautifully tended hands with rosy polished nails. (10) One of those hands had been laid on Mrs Marsh’s much  larger rougher one ,  with its plain gold band. “ Don’t go,” said Ms Durrant. “ my daughter will  make us some tea.” She padded over the pink  and blue carpet to  the door. “Anna! Anna darling! Will you make us some tea, dear? I want you to meet Mrs. Marsh.” The sound of a sewing machine,  so  faint,  that  it hardly registered as such, stopped  (15) abruptly. Ten  minutes later Anna Durrant had come in with tea things on  a black japanned tray. Mrs Marsh noticed her kingfisher- blue suit, in  fine tweed, which  she admired. “Anna makes all  her own  clothes,” said Mrs. Durrant proudly. Then  the two women  fell greedily into  exchanging the stories of their lives,  for such  an  encounter was not to  be wasted. In fact Mrs. Marsh  was adept at dealing (20) out the few facts  she was willing to  make public  -  the dead husband, one daughter,  one son -  knowing that  this was the appropriate currency for a person  of her age and type,  but  actually too  curious about this affecting woman with her old- fashioned flowery elegance and her general  air of bewilderment to  waste time on herself.
                                                                 Fraud, Anita Brookner

sabato 1 dicembre 2018

MAGISTRALE 1 - material for 4th December


Please print off the passage below.


But to  be in Seville without a guitar  is like being on ice without skates. So  every morning,  while Kati went dancing with  h Maestro  Realito, I took  lessons on the instrument in my room.
  My instructor, one of Seville’s most respected professors of the guitar, was a small  sad man,  exquisitely polite and patient, poorly but neatly dressed, and addicted to  bow ties made of wallpaper. Each  day  at  the stroke of ten, he knocked softly at my door and entered on tiptoe, as though into a sick room,  carrying his guitar case like a doctor’s bag.
“ How are we today?” he would ask  sympathetically, “ and how do  we proceed?”
Silently,  he would place two  chairs opposite each other, put me in the one facing the light, sit himself in the other, then ponder me long and sadly while I played. Infinite compassion, as from one who  has seen  much  suffering , possessed his face while he listened. An expression of one who, forced to  inhabit a solitary peak of perfection,  has nowhere to look but downwards at the waste of a fumbling world.
After an hour’s examination, during which  he tested all  my faulty coordinations, he would hand me a page of exercises and bid me take them  twice a day. Then,  with  a little bow, his chin  resting mournfully upon  his paper tie, he would leave me to  visit his next patient.
Sometimes - but very occasionally - he would relax at the end of the lesson,  empty his pockets of tobacco  dust, roll  himself a cigarette, smile, take up  his guitar and play it to  me for an  hour. Then his eyes would turn inward and disappear into  the echoing chambers of his mind, while his long white fingers moved over the strings with  the soft delicacy of the blind, lost in a dream of melody and invention. And faced with  the beauty of his technique ,  the complex harmonies ,  the ease and grace , the supreme mastery of tone and feeling, I would feel like one of the lesser apes who, shuffling on  his knuckles through  the sombre marshes ,  suddenly catches sight of homo sapiens, upright on  a hill, his gold head raised to the sky.
                                                                                                                 Laurie Lee, Cider with Rosie







MAGISTRALE 1 - MATERIAL FOR 4th December




Translate the text below .      
  Finalmente poteva ammettere con se stesso di non avere mai amato nessuna così, e di non avere mai incontrato nessuno, uomo o donna che fosse, che la uguagliasse in serietà. Forse, se fosse rimasto con lei, sarebbe riuscito a concentrarsi di più sulle sue ambizioni, forse avrebbe anche scritto quei libri di storia. Pur non essendo affatto il suo genere, Edward sapeva che l'Ennismore Quartet era famoso, tuttora un punto di riferimento nel mondo della musica classica. A concerto non andava mai; non comprava, e nemmeno curiosava tra le raccolte di brani di Beethoven e di Schubert. Non aveva voglia di riconoscerla in una fotografia, e di constatare gli effetti del tempo, o di scoprire dettagli sulla sua vita privata. Preferiva custodirla com'era nei suoi ricordi, con il fiore di tarassaco nell'asola della camicetta e il nastro di velluto nei capelli, la sacca di tela sulle spalle, e quella sua faccia dalle ossa grandi e il bel sorriso sincero. Se pensava a lei, si stupiva un po' di aver lasciato andare via quella ragazza con il violino. Ormai ovviamente sapeva che la sua proposta di tenersi in disparte era piuttosto pretestuosa. Le occorreva soltanto essere certa che lui l'amasse, sentirsi rassicurare sul fatto che non esisteva nessuna fretta, avendo un'intera vita davanti. Amore e pazienza, ah, se solo non se li fosse scoperti in tempi diversi, li avrebbero di certo aiutati a superare ogni cosa.
                                                                           Ian  McEwan, Amsterdam


venerdì 23 novembre 2018

MLI - Material for Friday 30th November

Complete the worksheet below for 30th  November lesson.


 Worksheet 2
Chapter 3 – Style
  1. What is focus ?
  2. What is foregrounding?
  3. What is end focus? – give an example of end- focus with “There” used  as a dummy subject.
  4. Change the focus of the following sentence by using the passive voice:
They accused him of murder –
  1. What is rhetoric
  2. Give examples of the following
a)   Alliteration ( HEAD RHYME )
b)   Irony ( Bournville ad)
c)   Metaphor
d)   An Oxymoron
e)   Paradox
f)    Personification ( Mac)
g)   Simile
h)   Symbolism









lunedì 19 novembre 2018

MLI material for 20th November

Please print off test below for 20th  Nov. lesson.


A.         Complete the second sentence so that it has a similar meaning to the first sentence, using the word given. DO NOT CHANGE THE WORD.

1)      I’m sure it was Peter who  told me about the  new exam  regulations. MUST
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2)      I told the truth as I had no  choice. DID
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3)      It really gets on my nerves when people talk during a film  at  the cinema.  WOULDN’T
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4)      There has been  a substantial increase in youth  unemployment this year. GROWN
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5)      However hard I study, I still haven’t been  able to  pass my exam.  ALTHOUGH

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B.       Complete  the text below by filling the gaps with  ONE word only
The sexual abuse scandal currently embroiling media mogul Harvey Weinstein has stunned  (1) …………… United States, with Hollywood and the fashion industry declaring  (2) ............... “this way of treating women ends now.”(3) …………… an Argentinean woman who studies gender in the media, I find  (4) …………… hard to be surprised by Weinstein’s misdeeds. Machismo remains ingrained in Latin American society  but  (5) …………… female political leaders in supposedly gender-equal paradises (6) …………… Holland and Sweden have told (7) …………… that they are criticized more in the press and held to a higher standard than (8) ……………  male counterparts.
(9) ..............., there are some positive moves (10) ……………  made to change the current mindset. (11) …………… before it was forced to reckon with allegations that Harvey Weinstein had also harassed women in London, the United Kingdom was making political progress (12) …………… the issue of women’s portrayal in the media. In July, the United Kingdom’s Advertising Standards Authority announced that the U.K. (13) …………… soon prohibit commercials that promote gender stereotypes.“(14) …………… advertising is only one of many (15) …………… that contribute to unequal gender outcomes,” its press release stated, “tougher advertising standards (16) …………… play an important role in tackling inequalities and improving outcomes for individuals, the economy and society as a whole.”(17) …………… of 2018, the agency says, advertisements in (18) ……………  women are shown as solely responsible for household cleaning (19) …………… men appear  unable of  taking care of their children will not pass muster in the U.K. Commercials that differentiate between girls’ and boys’ toys based on gender stereotypes will be banned as (20) …………… .                                                                                                                                                                /10

 

C.       Analyze one of the following slogans
1)      There are some things money can’t buy. For everything else, there’s Master Card. ( credit card )
2)      Every Little helps. ( Tesco,  a supermarket chain )
3)      All the News That’s Fit to Print . ( The New York  Times  newspaper )
4)      When  there is no  tomorrow. ( Fedex , a delivery service )
                                                                                                                                                              

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D.      Put the following text into  English
Si sono introdotti in casa di una famiglia di Melbourne, Australia, nella mattinata di lunedì 6 novembre, con l'intenzione di portare via quanti più oggetti possibili, ma insieme a un iPad, un computer portatile e dei gioielli , i ladri hanno rapito anche Sasha, una cucciola di labrador di sole 8 settimane. La scomparsa della piccola cucciola  è stata denunciata e pianta amaramente dai suoi padroni e soprattutto dalla sua inseparabile "sorellina" umana di 4 anni, Maia. Per questo il distretto di polizia di Victoria ha fatto di tutto per recuperare l'animale domestico, pubblicando sui social la sua foto e coinvolgendo i media nazionali. I ladri hanno visto le immagini della cagnolina circolare ovunque e, presi dal rimorso, l'hanno riconsegnata alla famiglia. I proprietari di Sasha, infatti, hanno rilasciato nei giorni scorsi diverse interviste, spiegando che la cucciola di labrador era entrata nella loro casa solamente una settimana prima e che le sue condizioni di salute erano precarie, per cui il ritorno in famiglia sarebbe stato essenziale.
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